Rachel Zegler makes her West End debut in Jamie Lloyd’s revival of Andrew Lloyd Webber's political tragedy.
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"It feels like being inside a stadium gig, a football match and a political rally all at once: exhilarating, addictive, ultimately terrifying."
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"It’s a pitch-perfect mix of theatrical audacity, political satire and deft cinematography."
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"The result is a total triumph, dominated by a powerhouse, reputation-restoring performance from Zegler."
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“This Evita is an event with a capital E, an assertion of the unique power of theatre to become both story and spectacle.”
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"Great theatre can be about many things: star quality, spectacle, the lightning-in-bottle capture of a moment, the alchemical power of song or speech on a bare stage. In this Evita, all those things come triumphantly together."
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"You know there’s something deeply twisted under that pretty shiny surface, but, like the audiences of Evita, you’re powerless to resist."
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"Jamie Lloyd’s Palladium staging now feels more redolent of high-octane stadium rock. Newcomers might not have a clue what’s going on"
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"If a successful musical is simply about the singing, dancing and spectacle, this one soars."
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