"Locke shows himself to be an accomplished stage performer, capturing a certain romantic ennui in Jake that makes him a likeable protagonist."
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"This isn’t a conventional gay romance, more a soulful meditation on the need for connection with someone worth trusting and a return to a spirit of possibility that seems as ungraspable as the ocean to which they’re finally drawn. "
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"In different hands, perhaps the clash between the thorny past and the sanitised present could feel more vivid"
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"Director Jack Serio stages his production like a series of snapshots, with minimal music and the freeze frame effect of Stacy Derosier’s lighting. "
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"What a strange production it is. Despite Locke’s face being on every poster, his performance is understated, flat even...So not a very bad play, just not a very good one"
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"The pace is so languid, the drama so intimate and miniaturised, that it becomes faintly frustrating."
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"The writing is subtle but blistering: a morose yet eloquent meditation on lives not well lived...It’s blunt and bleak, and almost nothing happens, but the acting and the oblique humour ensure that it is engaging for the most part."
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"The Heartstopper star will bring the crowds but the play is too generic and static to go anywhere"
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