“Philipp Fürhofer’s lavish set is a feast to behold.”
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"Herheim goes for spectacle at the expense of drama, and while there are some magnificent sequences exploring the visual possibilities of the large-scale conflict that provides the dramatic foundations of the piece"
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"In conjunction with the sheer brilliance of Herheim’s stagecraft, and a uniformly impressive cast...the ever-reliable Royal Opera orchestra, Scappucci’s musical direction makes for a long but enthralling evening."
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"Scappucci conducts a well-paced account, allowing Verdi’s explorations of rhythm and tonality to flower, and she is attentive both to the composer’s new orchestral colours and to her singers."
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"It’s best to just embrace the gothic opulence of Herheim’s flamboyant show: phantom ballerinas in skull masks, a cherub executioner, Procida in a black ballgown, waving a French flag that he torches as bells signal the uprising."
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