The Ministry of Lesbian Affairs
The Ministry of Lesbian Affairs
Closed 2h 30m London: Kilburn
97% 62 reviews
97%
(62 Ratings)
Positive
98%
Mixed
0%
Negative
2%
Members say
Funny, Great acting, Entertaining, Resonant, Clever

About the Show

Iman Qureshi's comedy about a lesbian choir determined to unite their dwindling community.

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Critic Reviews (9)

London Theatre
June 21st, 2025

"It isn’t perfect but it is the theatrical equivalent of a favourite cosy jumper and follows in the tradition of great British ensemble comedy dramas"
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The Times (UK)
June 22nd, 2025

"There’s plenty of uplift at the end. With a few more rewrites, the play would have the makings of a fist-bumping, queer equivalent of Calendar Girls."
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All That Dazzles (UK)
June 21st, 2025

"As important to watch as it is enjoyable, this play shines a light on these subjects better than any other show I have seen so far has managed."
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The Guardian (UK)
June 22nd, 2025

"It is exuberant and uplifting, accomplishing the extraordinary feat of being broad and universal in its appeal, yet speaking to and about the lesbian and queer community."
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West End Best Friend
June 21st, 2025

"Gripping, interesting and complex without causing alienation. This show is a bold show that is well balanced, passionate and vitally needed."
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The London Evening Standard
May 16th, 2022
For a previous production

The plotting and characterisation are heavy handed and Hannah Hauer-King’s production isn’t exactly subtle, but altogether it’s a charming, funny and inclusive piece of work. Qureshi ['s] ... play delves boldly into issues of transphobia and homophobia but it has a generous, open spirit.
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Time Out London
May 16th, 2022
For a previous production

‘The Ministry of Lesbian Affairs’ tackles massive themes, in ways that threaten to unbalance what's fundamentally a feel-good comedy. But it all just about works, thanks to a septet of winning performances and Hannah Hauer-King’s taut direction. It's a warm cosy hug of a show.
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The Stage (UK)
May 15th, 2022
For a previous production

Iman Qureshi’s second full-length play is a bright and raucous affair. The first act is appealingly bouncy, but the second is let down by a lack of surprises, its issues writ unfortunately large.
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