"It is not by any means a revolutionary production, and it’s not asking big questions of the play’s sexism or power dynamics, but Ince has a real knack for bringing classic texts into clear, sharp focus without meddling with them."
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"It’s a valid and interesting take that both gains and loses from toning things down. And even reined in, it looks pretty spectacular under the darkening London skies."
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“Ola Ince’s solid and well-acted production somehow doesn’t hit right in the open space of the Globe, even though the venue should feel closer to the world of the play than a theatre of more modern design.”
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"...dutiful revival which flies in the first half but slows to a trudge by the third act. Maybe because of the laughter, there is also less creepiness to the band of girls... The note of absurdism makes it less terrifying, more ridiculous."
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“Sometimes a director should be commended for their restraint as much as for their bold interventions. Ince lets Miller’s text do the heavy lifting, with a blistering courtroom scene gripping in all the right ways.”
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“Ola Ince’s blistering, humane production paints the play in vivid colours, highlighting how each element contributes to Miller’s scalpel sharp dissection of paranoia and prejudice.”
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