"Mears’s transformation of Handel’s subtle irony into a full-on dark comedy is provocative, yet undeniably compelling."
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"Every appearance in Mears’s production masks a grim reality, even if the finished product doesn't always cohere."
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"It’s Alice Coote’s deliciously spiteful, yet ultimately abject Juno that gets to the emotional heart of Mears’ bleak reimagining."
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"Alice Coote's Sybil-line...not mythologically speaking, Juno holds the stage whenever she appears"
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"Oliver Mears’ production doesn’t really gel."
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"Mears certainly knows how to wrestle a sprawling, not entirely coherent 18th-century mythological work into a well-oiled modern show — even if in doing so he sucks out a good dose of its joy."
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"Director Oliver Mears spoils a superbly performed production of Semele by straining to make the gorgeous oratorio ‘relevant’"
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"Its undeniable comic register tellingly counterpointed by deeply disturbing insights as consequential for our own time as ever."
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