“Bourne’s greatest gift is his eye for character: he packs so much understanding into how people stand, the way they glance at one another, set down a glass or hold a cigarette.”
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“It’s entertaining, certainly, but ultimately rather slight.”
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Lighting designer Paule Constable creates an atmospheric backdrop for Bourne's vivid choreography. [The] songs sometimes feel like too blunt an instrument, particularly given the decision to have various characters lip-syncing to them.
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Terry Davies provides a fabulously bluesy score, full of aching feeling. The narrative is fragmentary but the darkness is all-pervasive. Beautifully danced, it’s a triumph of Bourne’s genius for exact storytelling.
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After two hours in the theatre, you are hard pressed to identify a story, and yet those two hours of wordless dance-theatre are as affecting as anything Bourne has produced in his long career.
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