"We may see Mary from every angle, but never know the complete person; it is a clever conceit. Warchus handles the fractured timeline well, creating fluidity and really allowing the quieter scenes to breathe."
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"This is an elegant, bittersweet ensemble piece, inspired by the death of Letts’s mother and informed by his sensitivity as a Tony-nominated actor."
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"It’s a smart piece of writing that’s given us some fine performances - particularly from Riseborough - but its fussy theatricality ultimately gets in the way."
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"It is beautifully directed by Matthew Warchus, who elicits magnificent performances from the ensemble. Sarandon performs with ease, assurance and total ownership of her character"
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"The effect is like watching fragments of a shattered vase, glued back together. The pieces don't quite fit and the cracks start to show, but the truthfulness of the writing"
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"...you have two first-rate actresses steering this ingeniously constructed theatrical ship"
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"It’s an elusive piece of writing that changes shape as you stare at it, wriggles away if you try to pin it down. The impact is muted, but the overall effect is disquieting. The execution is faultless."
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"if it’s ultimately a little unsatisfying, so is any attempt to actually sum up a life in one hour and 40 minutes – like any eulogy, it’s both moving and incomplete."
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