"For an opera located in the shadow of death, I’ve rarely this year left a performance feeling so alive."
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"Last Days could be a trite warning against the crushing power of fame, but instead it defies easy interpretation. That makes it all the more deliciously tantalising"
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“Unique sound-world that incorporates many styles”
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"Leith and Copson’s Last Days can stand on its own. It’s that rare beast, a contemporary opera with a genuine future."
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"It is what we hear in Leith’s operatic version... that transforms this depiction of a person undone into something truly disturbing."
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"A production that alchemises the cheerless and desultory original film into a richer, stranger and funnier 90-minute depiction of psychological meltdown."
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