Set in a sunny English village, La Fille mal gardée follows Lise, a young woman determined to marry the man she loves, the farmer Colas, despite her mother, Widow Simone’s, plans to pair her with the awkward but wealthy Alain. Through a series of clever schemes and romantic mischief, Lise and Colas try to outwit parental expectations in this lighthearted tale of rural love and rebellion.

Frederick Ashton’s 1960 production, inspired by Jean Dauberval’s original 18th-century ballet, blends comedy, romance, and pastoral charm with technically intricate choreography. Created for The Royal Ballet, Ashton’s version is paired with Ferdinand Hérold’s music, adapted and orchestrated by John Lanchbery. Osbert Lancaster’s vivid designs evoke the idyllic countryside setting, complemented by John B. Read’s lighting.

The choreography features inventive elements like the ribbon pas de deux and clog dance, combining classical technique with folk-inspired movement. Balancing virtuosity with storytelling, Ashton’s staging remains a signature work in the company’s repertory, celebrating village life through theatrical precision and visual warmth.