"Oldman skilfully foregrounds Krapp's yearning and regret. The modulations in his speech are remarkable."
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"It's a fragile and unsettling depiction by Oldman, chased more with ethereal, wispy regret at old age and a life wasted"
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"If there's any added piquancy to this production, it's in pondering the visual parallels with Krapp and Slow Horses' washed-up MI5 agent Jackson Lamb."
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"He [Oldman] conjures an immense sense of desolation. You almost see the life draining from his eyes as the words waft away."
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"A fantastic evening that cements Royal Court's 70th year as one of its strongest ever, and certainly a double feature worth waiting for."
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