Critic Reviews (9)
"If it's not as bold conceptually as it might be, the dynamite female company does seal the deal."
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"For all its promise, the purpose of the gender reversal here feels unresolved."
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"It’s a fascinating idea, and while it would be odd to see this without at least having seen the film for reference, I’d say it’s an experiment that works."
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"For a play that’s all about ownership – everything is up for grabs, but nothing is secure – these pioneering performers do the work without fully claiming the territory."
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"Collectively, this reinvention has the aura of a rehearsal room exercise in which accomplished actors sketch personalities without, for the most part, getting to the heart of the characters."
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"The evening is admirable in its reach if sometimes confounding in its result, but the ability of Glengarry to sear the soul here proves as elusive as this play's most-wanted leads."
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"Some great performances aside, Patrick Marber’s stripped-back staging leaves this all-female production feeling like a missed opportunity"
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"Salazar is mesmerising – powerful, unsettling, hilariously dry."
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