"Some of the language sits oddly with modern-day sensibilities, not that Orton, of course, would give a fig about that. Fall lets the text fall where it will, all the while charting a keen-eyed path through period material"
Read more

"This drab and unfunny take on Joe Orton’s breakthrough play is a baffling start to Nadia Fall’s tenure at the Young Vic"
Read more

"Entertaining Mr Sloane may be old enough to qualify for senior-citizen travel concessions but, despite the odd creak, Joe Orton’s breakthrough black comedy of 1964 still exudes fresh wit and youthful mischief."
Read more

"Jordan Stephens of Rizzle Kicks struggles to find his feet in a tonally muddled take on Orton’s black comedy"
Read more

“A gripping, provocative revival that crackles with dark humour and unsettling charm”
Read more

"Perhaps the main gesture of the play is that our laughter often sticks in our throats. You can admire the rebel vigour of Orton’s writing, while raising an eyebrow at his questionable taste. "
Read more

"Fall’s production plays a pretty straight bat but wrings plenty of laughs, mainly from Outhwaite’s outrageously flirtatious Kath"
Read more

"Fall’s opening show as artistic director of the Young Vic grins with the worst of human behaviour – and that never grows old."
Read more