"It’s unlikely that a better-sounding farmyard symphony will appear on any London stage soon."
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"Nobody makes theatre like Katie Mitchell, and her latest is an audacious technical exercise the likes of which you’re unlikely to ever see in a theatre again."
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"It’s a bold experiment, but it remains an intriguing sketch rather than a fully realised portrait."
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"It doesn’t entirely work: and it fails completely in its wider aim to make us ruminate on the climate emergency by seeing life from a non-human-centric perspective."
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"Effects shorn of anything resembling a recognisable storyline are, inevitably, subject to the law of diminishing returns."
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"The calf’s birth could be the most captivating stage scene of the year."
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