“Kane’s words still shock, as does her unusual omniscience of how her life would end.”
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"The original production of Sarah Kane’s final play returns, and it feels like it summons her into the room"
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"This is a must-see revival of the searing last play by Sarah Kane – in which the most distinctive voice of the 1990s young playwriting wave experimentally explored the subject of suicide...with cryptic lyricism"
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“I came out of the Court feeling subdued, sad and unenlightened, but writing this hours later in a bright dawn, I find the play’s combative humanity and its striking final image of escape have stayed with me.”
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“It is her scrupulous, brave use of theatrical form to convey the unconveyable...that makes '4.48 Psychosis' such an important work.”
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"Every word of Sarah Kane’s feverish text is made to count. Even the occasional countdown of numbers is given ritualistic weight."
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“It is beautifully performed with moments of bared anguish and delicate detail.”
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“This is a stark, brave drama from a truly remarkable playwright; 25 years on, it still devastates.”
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