"This 'Masquerade' is silly, frustrating, ethically dubious and frankly thrilling. Also, it briefly tried to kill me."
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"When the fully orchestrated overture later exploded alongside a flash of light and a shower of confetti like broken glass, 'Masquerade' instantly had me under its spell. I’d call it the point of no return, except I definitely hope to return."
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"The main attraction of Masquerade is not its stars, its story or its music of the night; it’s the pleasure of re-exploring a property you already know and seeing it from a new angles. "
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"We all know the modern musical has to evolve to survive in the face of technology and economic precarity, but this cash-grab stunt tries to look backward and forward at once: hard to do with a silly mask on your mug."
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"The megamusical has been distilled and reshaped into Masquerade"
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"Though this is not your mother’s Phantom of the Opera, it certainly does not shy away from breathing provocative new life into a cherished classic."
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While ‘Masquerade’ offers a memorable adventure in the milieu of ‘Phantom of the Opera,’ it’s harder to be moved by Christine’s story when you’re the one doing most of the moving.
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