An experimental work blending movement, film, music, and fragmented storytelling.
Rejecting conventional narrative, The Mutt constructs its world through imagery, physicality, and sound rather than dialogue or plot. Film projections, choreography, original music, and fractured storytelling combine to create an environment that shifts between brutality and tenderness, intimacy and scale. The work draws on Dostoevsky’s enduring questions about human nature, offering an immersive theatrical experience that emphasizes presence over explanation.