"The cultural specificity in Leguizamo’s work is airtight, and in his first effort at writing for a full cast, he clears two important hurdles: a good ear for dialogue and an understanding that everyone needs strong intentions."
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" 'The Other Americans' is too archetypical, its characters too flat and easily pathologized, to feel fully fresh and alive."
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“One of the best interactions in the play happens wordlessly, when Nelson and Nick engage in a dance off. Lorna Ventura’s choreography is playful and vigorous, and both Leguizamo and Santiago-Hudson can really move.”
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" 'The Other Americans' is not without flaws. With judicious trimming, particularly of the occasional puddle of expository or repetitive dialogue, the play would gain a tauter pace. "
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" 'The Other Americans' is by no means a textbook perfect drama, and there are moments when the author’s contrivance is all too apparent"
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"Leguizamo, whose solo shows teem with raunchy, vivid, hilarious language, strikes a paler, more derivative note here, and he hasn't totally mastered the mechanics of this sort of drama."
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"For two hours, plus an intermission, we are invited to join this family's own relentless journey into night, suffused with predictable plot turns and unfortunately clichéd dialog, along with an ending that is foreseeable long before it unfolds. "
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"Overall, at this stage of development “The Other Americans” could benefit from some major revisions, but hopefully it will serve as a steppingstone to a new facet of Mr. Leguizamo’s career.”
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