About the Show

Kristin Hanggi stages Robin Schiff’s pop-driven reunion adventure with ’80s‑’90s flair.

In this musical adaptation of the cult film Romy and Michele’s High School Reunion, two inseparable best friends return to their decade-old high school gathering determined to reinvent themselves and stun their former classmates. Armed with an ’80s‑ and ’90s‑inspired pop score, the story hinges on their hallucinatory confidence and a shared secret about inventing Post‑its.

The production features a book by Robin Schiff, the original screenwriter, with music and lyrics by Gwendolyn Sanford and Brandon Jay (Orange Is the New Black). Direction is by Kristin Hanggi (Rock of Ages on Broadway). Orchestrations are by Keith Harrison Dworkin (Emojiland), and it is produced by Barry Kemp, Stephen Soucy, Peter Schneider, Laurence Mark, and executive producer Showtown Productions, under license from Broadway Licensing/Dramatists Play Service

Starting previews on October 14, 2025, and opening on October 28 at Off-Broadway’s Stage 42, the production is the Off-Broadway premiere of the musical, following its developmental debut in Seattle in 2017

Critic Reviews (9)

"It’s also frustrating because the show doesn’t stand a chance to work on its own, especially since the journeyman score by the married team of Gwendolyn Sanford and Brandon Jay, does nothing to spark things up."
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"While occasionally diverting, the musical feels like a longer, paler copy of the film. Even with lively choreography... the brand expansion emerges a bit flat-footed."
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"Devolving into commodity slop is a curious move for an underdog cult comedy... Yet that’s what this entire exercise in soulless IP exploitation is: A fun movie masquerading as an interminable musical."
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"The songs... have all the substance of a scrunchie, but book writer Robin Schiff... has wisely chosen to retain choice bits from the movie, often verbatim, to tweak fans' nostalgia."
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Schiff’s book so slavishly follows her screenplay that there is nothing much to wait for.
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"This is the most striking and immersive set and projection work I have seen all season, by far."
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If ever there were a show that begged for the jukebox treatment, it’s this one — especially since the supposedly original songs mostly amplify the mood of a scene rather than deepen our understanding of the stubbornly one-dimensional characters or the herky-jerky plot.
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Lacking …in the kind of creative originality needed to overcome its stereotypical plot and characters, its generic music, and its tired comedic tropes.
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