Nothing Can Take You From the Hand of God
Nothing Can Take You From the Hand of God
Ends Nov 16 1h 10m NYC: Midtown W
70% 13 reviews
70%
(13 Ratings)
Positive
54%
Mixed
38%
Negative
8%
Members say
Great acting, Clever, Entertaining, Interesting, Impressive

About the Show

A writer's memoir about her past is challenged by a woman claiming the stories are false.

Read more Show less

Critic Reviews (9)

The New York Times
October 9th, 2025

"...the goal is for the audience to focus on a very personal, entirely human story of reckoning with how one is shaped and how one changes, or not"
Read more

New York Theatre Guide
October 13th, 2025

"Nothing Can Take You from the Hand of God is miraculous, an exceptional piece of tenderness and solace whose wisdom and insight elevates its form."
Read more

Theatermania
October 14th, 2025

"...the dramatic equivalent of watching a spinning coin. Heads and tails blend together and we have no idea which side will land up."
Read more

Lighting & Sound America
October 14th, 2025

"It's a heady piece of work, a solo show teeming with personalities and equipped with its own running commentary. Tullock, working with her co-writer Frank Winters, expertly plants a hundred-and-one hints that the truth behind Frances' memoir is much slipperier than she would like to admit."
Read more

Talkin' Broadway
October 13th, 2025

"I left Nothing Can Take You from the Hand of God impressed with Tullock's energy and vigor, and baffled about exactly what the hell happened."
Read more

TheaterScene.net
October 15th, 2025

"Tullock, Winters and Mezzocchi unravel faith, memory & myth with dazzling complexity"
Read more

Exeunt Magazine
October 13th, 2025

"Nothing Can Take You from the Hand of God does not offer us the comforting certainties of the true believer, but it's clearsighted about both the value and the cost of that comfort and that certainty."
Read more

Theatre Reviews Limited
October 22nd, 2025

“To be clear: what Tullock and Winters have created is powerful and deeply felt. As a portrait of growing up queer in an evangelical household with psychologically abusive parents, the play succeeds completely.”
Read more