In this modern adaptation of Cymbeline, Hamlet Isn’t Dead reframes one of Shakespeare’s lesser-known romances through the lens of absurdity and pop culture. The story follows the intersecting journeys of Posthumus and Imogen as they challenge fate, deception, and divine interference—namely, from Jupiter himself. Set against an intentionally chaotic world, the production employs sharp humor and visual callbacks to early 2000s rom-coms, underlining the play’s themes of mistaken identity, betrayal, and personal agency.

The production is helmed by director Valerie Peter Chong, whose work with Hamlet Isn’t Dead emphasizes clarity and accessibility in classical theatre. Chong brings a signature irreverence to the play, supported by the ensemble’s physical comedy and musical interludes. Hamlet Isn’t Dead, known for their inventive and comedic take on Shakespearean canon, continues their tradition of "HIDiocy"—a term coined to describe the company’s accessible, stylized approach to classical texts.

Originally written by William Shakespeare, Cymbeline here is reinterpreted with a PG-13 rating for content including stage violence, murder, misogynistic language, sexual themes, and mention of suicide and kidnapping. The production includes smoking effects and sudden noises. Parental discretion is advised.