"Seems very much like a post-pandemic return to A-game artistry and experiential elegance for St. Ann’s — an intoxicating New York blend of grit, cool and stardust"
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"Without the help of stronger production elements to deepen Anna’s story, the scenic design can only go so far, as the plot about a struggle for redemption by men is a struggle to invest in."
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"Thomas Kail’s uneven production doesn’t present the actress at her best; nor is her performance the standout"
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" It’s a perfectly respectable production, but I’m not convinced the play has much to offer, despite its Pulitzer-winning bonafides."
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a bracingly muscular stagecraft that helps create electrifying moments…. the acting is uneven (but) always watchable
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Michelle Williams doesn’t attempt to mimic Greta Garbo’s distinctive deep Swedish accent, thank heavens, but her voice seems to drift throughout the show like a boat untethered from the dock.
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Eugene O’Neill’s 1922 Pulitzer Prize-winning play is revived.
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