Critic’s Pick: "more than an entertaining biomusical with a hummable score. Directed by Michael Arden, it’s also a sociological fairy tale"
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"The show isn’t weird or inventive enough to delight as camp. So, it sits there, like an unfinished building."
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"The underlying problem is that QOV doesn’t have a clear POV...Like the rest of the show, however, the score doesn’t quite cohere; it feels like less than the sum of its parts."
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"The Queen of Versailles swerves and overcorrects like a drunk driver. Tonally, it’s all over the map...It is the confused, contorted product of a set of absolutely incompatible impulses"
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"What a star performance!"
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"Taking a documentary and translating it on the Broadway stage was always going to be an ambitious endeavor, and when creatives attempt such feats, they should be celebrated."
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"Rather than eat the rich, the musical settles for nipping them on the nose with all the ferocity of Jackie’s cuddly white Pomeranian."
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"For starters, the foundation is rotted. Even if the team won a lifetime supply of Wite-Out and started over from scratch, I don’t see the story of “The Queen of Versailles” ever being turned into a satisfying musical."
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