"From its opening line, the play is focused on time and how it gets warped, especially behind bars. It’s challenging to convey that on stage in a powerfully visceral way, and in the end, the play is all-tell, no-show, blunting its impact."
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"If I were going to get granular, I’d say that what the adaptation misses is the way that the film documentary touches at times"
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"He [Brody] was, as is the play itself, repeating a good story but not providing deeper insight, giving us a mythology without a deeper sense of a man."
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"With Academy Award winner Adrien Brody and actress Tessa Thompson making their Broadway debuts, the play features some profound performances. However, it also feels tonally bumpy by the end."
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"This show exists in large part to elicit gasps by exposing the brokenness of the criminal justice system — not to make us know, understand and get lost in the life of a fellow human being."
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"The Fear of 13 is also about the way narratives take hold, how once they are officially accepted by authority, it is very hard to undo them—but not impossible."
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"The extent you get caught up in The Fear of 13 rests largely on how much you get caught up in Adrien Brody's compelling performance."
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“The narrative asks us to believe a man whose survival required learning to lie, and in believing him, we confront how many others we've failed to believe.”
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