About the Show

Kieran Culkin, Bob Odenkirk & Bill Burr star in Patrick Marber’s revival of Mamet’s cutthroat classic.

David Mamet’s Pulitzer Prize-winning drama Glengarry Glen Ross returns to Broadway in a star-studded revival directed by Tony Award winner Patrick Marber (Leopoldstadt). Set in a high-pressure Chicago real estate office, the play follows a group of cutthroat salesmen willing to lie, cheat, and steal to close a deal. As competition mounts and desperation sets in, the characters spiral into a ruthless game of survival, exposing the dark underbelly of American capitalism and masculine ambition.

This revival boasts an extraordinary cast led by Kieran Culkin (Succession) as Richard Roma, Bob Odenkirk (Better Call Saul) as Shelley Levene, and Bill Burr (Immoral Compass) as Dave Moss. Rounding out the ensemble are Michael McKean, Donald Webber Jr., Howard W. Overshown, and John Pirruccello.

Marber’s direction brings a contemporary lens to Mamet’s classic, maintaining the original’s tension while emphasizing the play’s continued relevance.

Critic Reviews (18)

"it’s not just because this is such a patchy production, or because Odenkirk and McKean are nevertheless so good in it, that the losers make the biggest impressions. The winners, once glamorous, now have nothing new to show us."
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"Both sets are detailed and effective, but to what end? Is there anything to be gained by taking an early intermission for a set change besides showing off, without enhancing the story? We know Pask can design and the Emmy and Academy Award-winning actors are talented... what we don’t know is why they’re all here, in pursuit of further accolades in a production that feels as directionless as its characters' careers."
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"Because it is so tautly and distinctively written, and since most of the actors are good, 'Glengarry Glen Ross' still basically works; it still hooks you in. But it doesn’t seal the deal."
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"there was never any doubt that Mamet’s brand of spiky, sputtering American masculinity would, in different ways, fit Odenkirk, Culkin, and Burr. All three performers can weasel, bully, and talk a blue streak, and all are skilled at providing internal drive to text that can feel elliptical, coded, or without obvious dramatic action."
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