Starring Jon Bernthal and Ebon Moss-Bachrach, directed by Rupert Goold, written by Stephen Adly Guirgis.
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"There's nothing wrong with comic escapism, and this show has verve and momentum that is easy to enjoy. It helps if you have never seen the movie."
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“Dog Day Afternoon rolls over when it should bite.”
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"None of them can save what is otherwise a hollow and desultory maladaptation."
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“The play in turn makes us care for them, out there in all their recklessness on the edge of the night. In doing so, it still serves as a reminder that love, too, is political.”
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" ‘Dog Day’ is a strange hodgepodge of styles, operating at cross-purposes with each other.”
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"My ultimate feeling about “Dog Day Afternoon” as a play comes down to something so obvious it feels almost unfair to say it out loud, but I will anyway: The movie was so much better."
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"the production barreled ahead anyway, and what’s resulted is a garish disaster of tone and tempo, dull and grating at once."
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"the production barreled ahead anyway, and what’s resulted is a garish disaster of tone and tempo, dull and grating at once."
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