" 'Dead Outlaw,' the feel-good musical of the season, if death and deadpan feel good to you."
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“Dead Outlaw...is entertainment for a paying audience, after all.”
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"That same level of commitment extends to all of Dead Outlaw. The writing is piquant and sly, the songs have verve and resonance, and every element of Cromer’s production seems to fit exactly in place."
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"Dead Outlaw’s peculiarities are enhanced by the way it foregrounds its cast’s own idiosyncrasies."
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"The musical has many diamonds in the rough. They’re just not polished properly by Cromer’s staging, which is awfully haphazard and diffuse for a typically sure-thing director."
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"The pair are singing a much different, more raucous tune as they transform Elmer's larger-than-life story into a rollicking, country rock concert complete with a whole lot of laughs and a surprising amount of heart."
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“Andrew Durand as Elmer McCurdy has certainly turned “playing dead” into an artform.”
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‘Dead Outlaw’ unearths the corpse of forgotten history to an infectious rockabilly beat — elevating a twisty little yarn into a bizarro-world elegy to how the American Dream can curdle into violence, cruelty, and casual indifference.
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